Ian LeTourneau takes the small scene, or the acutely observed in nature, but bends it, makes it transformative, without overwhelming the reader with extraneous detail, and I think this keeps the reader attuned to the permutations of his poems. — Chris Banks
Metadata from a Changing Climate offers a poetics of entanglement, where the world of the poem is at once estranged and inseparable from the landscape and phenomena of the world it chronicles. Leveraging his imagination against the particulars of New Brunswick’s Saint John River valley—from porcupines and chickadees to the Reversing Falls— Ian LeTourneau writes poems whose clarity and insight remind us what’s possible when we allow form, language and ideas to test themselves against the strain of ever-shifting forces in our pursuit of connection and meaning.
[T]his book really does a wonderful job of employing economy of language, while at the same time, super-charging its imagery in mostly tightly controlled short poems. A porcupine is a “Punkrocker of rodents”; a murmuration of starlings is a “flashmob”; clouds “fingerprint the river”, and sun bouncing off waves is likened to “flashbulbs at a gala opening.”